Iwerks 3-D Camera Rig

Iwerks 3-D Camera Rig

 

 

      The Iwerks 870/1570 3-D Camera Rig is shown as an example of HinesLab design and engineering.

 

Steve Hines, October 6, 1998

 

      The Iwerks 870/1570 3-D rig is rental equipment for shooting 8 and 15-perf 70mm film for large format screens.  

      Beamsplitters are available for normal and wide-angle lenses that can be swapped and attach securely in less than a minute.  

 

 


 

      A patented internal mechanism allows independent adjustment of the interaxial spacing, and the convergence distance (to bring images off the screen).  


 

Iwerks 870/1570 3-D Camera Rig features:

  • Interaxial: 0 – 4.5 in.
  • Convergence: inf. – 4 ft.
  • Independent Interaxial and Convergence adjustment
  • Built-in sync light.
  • Minimum focal length: 40mm on 8 and 15-perf 65.
  • Comes with a variety of removable beamsplitter housings.
  • Camera alignment: Pitch: 0.8°; Yaw: 1.5°

 

Adapters for:

Iwerks MSM-870 cameras

Iwerks 1570 cameras


 

 

Iwerks 3-D Camera Rig on location:

 

Cirque du Soleil, Journey of Man, Keith Melton, Director

 

Iwerks-3D-Camera-Rig-04-Journey-of-Man

© 1999 Sony Pictures Classics
www.CirqueDuSoleil.com/CirqueDuSoleil/en/multimedia/default.htm


 

 

Siegfried & Roy, the Magic Box, Brett Leonard, Director; Sean Phillips, DP

 

Iwerks-3D-Camera-Rig-05-Magic-Box

1999, L Squared Productions
www.SiegfriedAndRoy.com/magic/magic_box.php


 

ultimate G’s, Keith Melton, Director; Peter Anderson, DP

 

Iwerks-3D-Camera-Rig-06-Ultimate-Gs

1999, Sky High Entertainment
www.x3dworld.com/Entertainment/KidsCorner/FC_Kids_ImaxUlti.html


 

“Bugs!”, Mike Slee, Director; Sean Phillips, DP

 

2002, image Quest 3-D,  https://www.imdb.com/title/tt0337587


 

 

Comments:

      “The rig has all of the features producers, directors and cinematographers demand when they make large format films.  The Iwerks rig has all of the typical HinesLab finishing touches like a rigid and relatively light-weight structure that provides for fast and easy removal of cameras.”  Don Marren in Stereo World magazine, January/February 1999.


 

Don Iwerks, rt., receiving an Oscar, Feb. 28, 1998

 

For further information, see:

1999, Jan./Feb., StereoWorld, “Large Format 3-D Films: From Museum to Mainstream“, p. 18-20.


 

For current rental pricing, please contact:

 

Iwerks Entertainment

Burbank, CA, USA
ph. 818-841-7766
http://www.Iwerks.com


 

      This is shown as an example of engineering by Steve Hines.

 

HinesLab

 

USA

email: Steve@HinesLab.com

ph. 818-507-5812